(b. 1953) is unquestionably one of the most influential photographers of the 20th century.
Her intimate images emphasize her subject’s individuality, infusing them with dignity empathy and mystery. Her photographs of Queer life have become some of the most important and memorable images in post-Stonewell America.
Way before the success and ubiquity of "Rupaul's Drag Race" there was . For nearly 20 years this (sometimes) annual celebration of drag occurred in New York City at the end of the summer. As its name playfully suggests, it was a huge outdoor gathering of drag-performers, their fans and the Queer community.
"Joey Dressed for Wigstock" is a paradigm of Goldin’s portraiture / depictions of downtown life in New York from one of her most desirable eras of production. Here, Goldin captures her dear friend, and frequent muse, Joey dressed for Wigstock, in an elaborate and ornate Baroque costume.
Joey is one of Goldin’s best-known muses, appearing in a large number of iconic images from the late 80’s onwards. The best images of Joey present her as beautiful but pensive and mysterious. Goldin captures her as she clutches her chest in a tender pause, exuding excitement, anticipation, and proud glamor.
Click here to view additional images of Joey, from in and .
This work exemplifies Goldin's vision, showcasing her mastery in capturing intimate moments with an inimitable trust between artist and subject.
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"Joey Dressed for Wigstock, NYC"
USA, 1991
Cibachrome print
Signed, titled, dated, and numbered by the artist, verso
From an edition of 25
16"H 20"W (work)
20.25" H 27.5"W (framed)
Very good condition
Literature: Nan Goldin: The Other Side, Manchester: Cornerhouse Publications, 1993, p. 125
